Please check out my website at NikiGulley.com, NikiGulley.com to see more of my contemporary impressionist oil paintings.
Please check out my website at NikiGulley.com, NikiGulley.com to see more of my contemporary impressionist oil paintings.
Finding a place to paint on Murano is somewhat challenging. With shop after shop, it is mostly geared up to promote its famous glass to visitors. So, I find it lacks some of the charm of Venice and Murano. But, I did really like this ornate bridge near the glass factory. Beautiful afternoon light raked across the scene and highlighted one lone boat parked underneath. Then, I just had to hope that no one decided to row it away, which is always one of the challenges when you are plein-air painting. But, the boat gods worked in my favor today and I was able to capture everything just in time!
If you’d like to join us on one of our upcoming Art Treks, please let us know. For more details, E-mail [email protected] or go to ArtTreks.org.
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Just Sold! On the fourth day of our Venice Art Trek, we headed to the islands of Burano and Murano. Burano is known as a fishing community (and for the homemade lace that they make there), and to help the fisherman find their houses while coming back from sea, they painted their homes every color of the rainbow. With the picturesque canals and so many great colored buildings to choose from, it’s hard to pick a single subject matter!
If only we painted with that much color here, we might feel a little more joy each day! I also loved the morning light as the laundry was hanging out to dry. Don’t get me wrong, I really appreciate the convenience of my dryer, but there is something nostalgic about clotheslines. Helping grandma hang laundry on the line brings back such fond memories!
On the second day of our Plein Air Painting and Photography Workshop, we visited the Doge’s Palace, in all of its glory and were awed by its impressive art collection by Italian masters. Taking the “Secret Tour” we learned about parts of the Palace that you can’t normally see, including the prisons, the torture room and stories of Casanova.
That afternoon we chose a canal to paint near our hotel while the photographers covered off the beaten path parts of the island. I liked the way the sunlight reflected across the water’s surface, and I really wanted to capture a gondola in the distance. With it being Carnival, luckily there was a steady stream of them rowing past us. At one point, a live violinist drifted by playing the most beautiful tune that echoed off the buildings. What a magical moment!
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SOLD • 12″ x 9″ textured oil on canvas panel by Niki Gulley
Venice Carnivalé Art Trek – Led by Niki Gulley and Scott Williams
Day 1: Venice
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“Drip Dry” ©2022 Niki Gulley
SOLD • 12″ x 9″ textured oil painting on panel
With the picturesque canals and so many great colored buildings to choose from, it’s hard to pick a single subject matter in Burano, Italy. But, today I was drawn to this quiet location with its vibrant blue stucco wall as the backdrop for that morning’s laundry being hung out to dry. I chose to work with thick oil paint and palette knife to capture the rough surface of the walls, resulting in a final painting which is loaded with texture and color.
“Venetian Textures II” ©2023 Niki Gulley
16″ x 12″ textured oil on canvas panel
I started this piece during our Plein Air / Photography Art Trek Workshop that my husband, Scott Williams, and I lead in Venice, Italy. We had painted several other grand locations, but decided on day three to paint a more intimate vignette of the canals. Since the whole city is on water, I love how their “garage doors” are actually for their boats! In this painting, I wanted to focus on all of the wonderful architectural textures and age of the homes as seen in the peeling stucco, crumbling bricks and weathered wood. Luckily I had a steady stream of gondolas passing as I was painting so I could add one in to set the mood.
To purchase and for more details, go to nikigulley.com/venetian-textures/.
The other day I showed you the materials that I take with me when I’m teaching / painting overseas. So, today I thought you might be interested in seeing how in the world all of this gear fits into my suitcase!
So, pretty much 1/2 to 2/3rds of my case ends up being painting supplies. Above you can see my Pochade box (easel) stacked on top of my wet panel carrier. In front of that, I have a bag with back-up paints should I run out of a color and the supplies that didn’t fit inside of my pochade box along with a roll of paper towels. I could buy those there, but I’m partial to VIVA since they hold up like rags and I have yet to find that brand in Europe. Lastly, in front of that you can see my tripod and my sun hat is in the lid.
Below I’ve attached a photo that shows you how I pack my clothes in the air space bags and below that is another pair of shoes, toiletries, medicines, etc. Voila! I actually got it all to fit and weigh under the maximum limit of 50 pounds. Thank goodness for dressing in layers so my clothes actually fit.
The other day I showed you how I prepare and carry my canvas when we travel and paint. The next step is to start gathering the rest of my supplies, making sure I have enough paint, etc.
For our upcoming Art Trek that Scott and I are teaching in Venice, I’ve chosen to work with acrylics. I prefer a brand called “Open” acrylics made by Golden. They are slower drying than typical acrylics –perfect for location paintings.
Here you can also see my Pochade box which is a brilliant all-in-one design, where it acts as easel, supply holder and even carries 2 wet canvases in the back. I love it! Just attach it to a tripod or hold it in your lap and you’re ready to go. Also, a pair of gloves, collapsible water holder, brushes, palette knives, paper towels, palette and don’t forget your hat!
Now I just need to squeeze all of this into my suitcase along with my clothes and other travel necessities! Stay tuned…