If you’re in the Chicago area, please stop by my booth at the 57th Street Art Fair:
Sat. June 1 • 11am – 6pm
On S. Kimbark, between 56th and 57th Streets • Booth # 827 (close to 56th St.) • Chicago, IL
On S. Kimbark, between 56th and 57th Streets • Booth # 827 (close to 56th St.) • Chicago, IL
Or, if you’re in the Chicago area, please stop by her booth at the 57th Street Art Fair:
On S. Kimbark, between 56th and 57th Streets • Booth # 827 (close to 56th St.) • Chicago, IL
I love the first signs of fall – the crisp feel in the air, the crunching of leaves underfoot, the beautiful autumn colors, and being totally immersed in nature in the middle of a forest without a care in the world. In Fire and Gold I wanted to recreate that joyful feeling, choosing warm reds and yellows of autumn and using energetic strokes with my paint to heighten that mood. Building up first thin transparent layers and then thick textured layers of oil paint also add to a certain glow and magic in the final piece.
During one of our plein air painting workshops that we lead in Santa Fe, we chose this beautiful location near Georgia O’Keefe’s home of Ghost Ranch. I loved the way the sun illuminated the rocky cliffs and the robust, fluffy clouds that drifted above us. Reaching for the sky, hopeful and steadfast, this one lone tree persevered despite the odds.
In this painting I wanted you to feel that child-like wonder of staring up in into the treetops and the heavens above. I chose vibrant, cheerful yellows contrasted against a violet blue sky filled with big, puffy clouds. And, by arranging the aspens in a circular pattern heightened by thick, curving paint strokes, that joyful, playful feeling of hope and discovery are enhanced.
While driving from Santa Fe to Taos, this scene literally stopped me in my tracks. Something about that giant rocky mound rising up from the surrounding flat expanse contrasted against the complimentary colored sky was so graphic and surreal. Add to that the bizarre juxtaposition of the stop sign encroaching on what once was uninhabited desert landscape, and I felt like this painting had something to say.