Month: November 2011
“Ivory Refrain” textured aspen oil painting
Scrolling bark peels back like white washed parchment revealing secrets in the deeply textured wood below. A painting of grace and beauty, it’s verticality offset by embracing branches wound round as a sheltering arm. Each stroke is crisp, vivid, defined by thick textured oil, rich colors strike a reververberating chord – purple and the compliment of gold create a visual vibration that resonates in an optical song.
To see more of my aspen and birch tree oil paintings, please visit my website at nikigulley.com/?page_id=1343.
E-mail Niki Gulley for more information.
“Life’s Journey” – 46″ x 44″ oil painting
Follow the deep wood’s path and wander under a canopy of sheltering leaves, light shifts through each branch and twig. Long, late rays of sunlight pierce the dreaming autumn forest, as you enter shadows dapple your journey. You are walking down a loamy path, filled with color-drenched leaves that invite you into the purple shadows where you may seek your dreams. This oil painting of a tranquil wood’s trail inspires your journey and your dreams with lush colors and rich images of beauty ahead.
textured oil painting • 36″ x 48″
Now showing at American Fine Art Gallery in Dallas, in Colorful Transformation, I wanted to focus on brilliant color and simple shapes to see if I could communicate the excitement I feel when surrounded by nature. Using energetic diagonal strokes and thick, textured paint, I hope you get a sense of the motion in the leaves and the power of nature to invigorate your spirit. I just love how this piece captured that essence!
E-mail me at Niki Gulley.
Painting Monet’s Garden
Early morning light washes over Monet’s water lily garden in his beloved home at Giverny, France. Quiet, tranquil colors rim the pond, reflected in the glassy surface, waters casting back sky and foliage in a radiance of hues. Iris leaves front the pond, lilies break its surface, willows brush the water’s edge – everything just as Monet would have seen, now in a fresh, contemporary new work of art.
Art Treks – Paris – deadline this Friday
I decided it would be a fun challenge to create an extremely large painting, and I wanted the final piece to be very uplifting, colorful and full of energy. Opting for warm colors and working with extremely thick oil paint and palette knives, I chose this lily pond reference from our visit to Monet’s Gardens in Giverny, France. The grounds were breathtaking and I could actually see his paintings come to life. I was drawn to the energetic flow and yet calming serenity in this view, and I positioned the water lilies and my paint strokes in a circular pattern to add to that mood. The morning light peeking through the distant foliage added to a sense of mystery and promise that I wanted to capture in paint, and share with you that feeling of hope.
Plein Air Painting at White Rock Lake
Dallas Plein Air Painting Workshop with Niki Gulley
Day 2 – Afternoon Location: Sunset Bay, White Rock Lake
Plein Air Painting at White Rock Lake
Dallas Plein Air Painting Workshop with Niki Gulley
Day 2 – Morning Location: White Rock Lake
Painting at the Dallas Arboretum
I’ve always loved the bamboo garden, so that’s what I chose for my subject. I like the feeling of being protected by the tall stalks and the canopy they form overhead. There is a peacefulness back there, so that you feel like you are immersed in the middle of a forest. I also liked the way the light was filtering through in just a couple of places to illuminate the walkway and the distant clearing.
Plein Air Painting Workshop at the Dallas Arboretum
Morning Location: the Dallas Arboretum, Poetry Garden
Then, I established the darks in the flowers with brush and came on top with lighter colors and palette knife to give the flowers dimension. Normally I would work around the whole canvas, but with plein air painting, your time is so short between when your light changes, that at this stage, I went ahead and finish out the details in my focal point, the two main flowers. Lastly, if there is time left, I finish up the painting, in this case adding leaves, vines, and thick painter to the stucco wall to suggest the sun reflecting off its surface. At this point, it’s best to stop and not overwork the spontaneity of the sketch – you can always go back and tweak things back in the studio later.
Check out some of my students’ morning paintings. Even though we were set up within 20 feet of each other, I love how each painter sees things differently.